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The music didnвЂ™t sound like anything else at the time, and the musicians didnвЂ™t look like anyone else either. вЂњHeвЂ™s a conservatory student and a multi-instrumentalist, so thereвЂ™s a proto-Prince factor going on.вЂќ He used to be a DJ in the middle of the Haight-Ashbury revolution, so heвЂ™s coming from the epicenter of transformative cool, transformative hip, politically-savvy America,вЂќ says music critic George Tate in the documentary. вЂњSly came up in the church, so heвЂ™s got all that vernacular. Then in 1966, Stone founded the group Sly and the Family Stone, which were discovered at one of their all-night gigs in Redwood City and signed to Epic Records.Д«y the summer of 1969, Sly was a star thanks to songs like вЂњDance to the Music,вЂќ вЂњEveryday PeopleвЂќ and вЂњHot Fun in the Summertime,вЂќ which applied the Bay AreaвЂ™s anything-goes musical ethos and embrace of multiculturalism to foot-stomping funk rhythms. He produced tracks for other local R&B singers as well as rock bands like the Warlocks, an early incarnation of Grateful Dead. By 11, he could play keyboards, guitar, bass and drums, then learned trumpet and composition at Vallejo Junior College and became a popular radio DJ.

Born Sylvester Stewart, he moved with his family from Denton, Texas, to Northern California, where the young musician recorded a gospel record at age 8.

StoneвЂ™s musical history begins in Vallejo. Singer Sly Stone of the psychedelic soul group Sly and the Family Stone awaits transportation with his actual family, including his parents, on Aug. His directorial debut won the Grand Jury Prize at Sundance months prior to its theatrical and streaming release on Hulu on July 2. Referred to as 'The Black Woodstock,' the event was one of the largest celebrations of soul music of the era, but it had largely been forgotten until never-before-seen footage was unearthed last year and compiled in a film by Roots drummer Ahmir вЂњQuestloveвЂќ Thompson.

The new Hulu documentary вЂњSummer of SoulвЂќ features incredible musical performances from the long-forgotten Harlem Cultural Festival in 1969, including a riotous Stevie Wonder drum solo, an emotional rendition of вЂњOh Happy DayвЂќ by Bay Area gospel legend Edwin Hawkins and a chilling performance of вЂњTo Be Young, Gifted and BlackвЂќ by Nina Simone, but no band encapsulated the energy of the festival quite like Sly and the Family Stone.

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